Which brings us to No Other Choice, Park Chan-wook’s newest, slyest, and perhaps most strangely tender film. It’s an adaptation of Donald Westlake’s The Ax
Let’s be clear from the start. This is not Wayward Pines. No Shyamalan twists. No forest conspiracy cults. Instead, Wayward feels like what would happen
Watching Sirāt feels like being pulled into two films at once. On one level, it’s a merciless survival thriller, echoing the kinetic intensity of Mad
They don’t make films like Dolly anymore, or rather, they don’t usually let them out of the editing bay, fearing no one will sit through
In the end, Coyotes is a silly, shapeless howl of a movie that needed either Liam Neeson with a hunting knife or a wisecracking Road
Every so often, a documentary arrives that is less a film than a warm hug from an unexpected direction. A hug that smells faintly of
Primate is not subtle, and it doesn’t pretend to be. It’s a B-movie in spirit and an A-movie in execution, gleefully splattering the screen with
Enter Black Rabbit, an eight-episode limited series created by Zach Baylin, who previously wrote King Richard, Creed III, and The Order. This time, Bateman teams
